I first came to Portland as a fresh-eyed eighteen year-old cellist whose interest in the formal world of classical music had all but disappeared. I began playing the cello at the age of six and remained immersed in music throughout my teens, but by the time I was a Junior I no longer harbored an intrinsic motivation for etudes. My desire to improve my classical chops had steadily waned. I stopped taking lessons–they had become something I had to do as opposed to something for which I yearned.
Talking to Matt Takiff, you get the feeling that every word he says is true, or is a truth, or is not a lie, even if he made it up. The difference between those three things is subtle, but that difference lies at the heart of good songwriting, which could also be called something like emotional honesty.