Henry: Blank Face is hard to read. Schoolboy Q’s latest release has me staring, trying to read its expression. The problem with being on TDE is that the Kendrick comparisons are inevitable, and although he still isn’t winning those, Q has clearly been in the classroom, honing his craft alongside some of the best rappers in the game right now. His vocal delivery here is solid, varied, laid back yet energetic, and complimented by a host of producers who maintain a steady energy throughout. What the album lacks is a clear statement. The series of videos released for Blank Face tell a story of Q getting caught up in a robbery with his homies, but the songs only loosely correspond to the narrative in the visuals. Given just the music, it’s hard to discern any particular focus. Maybe this unreadability is the meaning of the title, an inscrutable facade, empty as a blank page. Then again, maybe I’m reading too far into it…
Here it comes. Another goddamn epiphany about Kanye West. I know what you’re thinking, but there’s no way around it. The man continually demands our attention. That’s actually what this whole thing is about. Micah and I reviewed The Life of Pablo earlier this year, and my feelings regarding the album haven’t really changed–I still think it’s all over the place, and doesn’t really function holistically as a piece of music.
Micah: I have been waiting for this album for a long time. Acid Rap came out three years ago, and Surf felt more like a Social Experiment album featuring Chance than the other way around. I’ve been missing that positive, bouncy, gospel-tinged raps from the fiercely independent Chance the Rapper. Since he got on the map, Chance has reinvested his momentum back into the musicians that helped him create his music, the city he lived in, and his sonic foundation.
Henry: This one is for all you salty heads like me who just want the old days back. Micah dug up some classic Kanye joints just for you. We’ve got spotify playlists and some good old fashioned youtube links for a few of the deeper cuts. However you feel about Yeezy now, you gotta admit, he’s come a long way.
Micah: To go along with the release of The Life of Pablo, here is a collection of my favorite old-school Kanye songs. The first disc features Kanye’s early beatwork for other artists and the second contains some of his best vocal cuts released under his own name.
Micah: There’s a lot being said about this album and the marketing surrounding it. Let’s just focus on the music.
Henry: I agree, although part of Ye’s aesthetic is, I think, that he demands us to consider his entire persona as a sort of addendum to his music, which is somewhere between a theme and a marketing strategy that has become more pronounced with each successive album. I’ll also say that I’ve liked each successive album less than the last one, until now. But enough generalizing. let’s get into it.