The Ebb and Flow of Innovation and Virtuosi: A Conversation with the Portland Cello Project

I first came to Portland as a fresh-eyed eighteen year-old cellist whose interest in the formal world of classical music had all but disappeared. I began playing the cello at the age of six and remained immersed in music throughout my teens, but by the time I was a Junior I no longer harbored an intrinsic motivation for etudes. My desire to improve my classical chops had steadily waned. I stopped taking lessons–they had become something I had to do as opposed to something for which I yearned.

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